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W. Eugene Smith's 'Country Doctor': Revisiting a …
Written on a desk customised from Smith’s darkroom sink, Stephenson’s evocative book is the result of 20 years of research into the life of an American documentary photographer who, having been revered in his lifetime, is now regarded in the digital age with a kind of respectful curiosity.

19 Feb 2017 lifeThe opening image from W. Eugene Smith's 1951 landmark photo essay: Nurse Midwife—Maude Callen Eases Pain Of Birth, Life and Death
W. Eugene Smith: Magnum Collection - Magnum Photos

An amazing episode about an amazing photographer. Looking forward for the continuation. Thank you so much for such wonderful vision of Eugene Smith’s work and personality.
n April 1977, the photographer W Eugene Smith sat in a wheelchair in 23rd Street in New York and oversaw the loading of his vast archive into two removal trucks by a team of young volunteers. Among material carried out of his loft and transported to the Center for Creative in Arizona were several hundred thousand photographic prints and negatives, hundreds of notebooks filled with his writings, boxes of cameras and accessories, 25,000 LPs and 8,000 books. His entire archive filled a high-school gymnasium, floor to ceiling, and weighed about 22 tonnes.
W. Eugene Smith | International Center of Photography

“For each famous person,” writes Sam Stephenson in his fascinating book, Gene Smith’s Sink: A Wide-Angle View, “there were dozens of obscure musicians, pimps, prostitutes, drug addicts and dealers, dropouts, hustlers and thieves, beat cops and buildings inspectors, photography students, frame makers, fire extinguisher technicians and countless other figures”.
Smith was perhaps the single most important American photographer in the development of the editorial photo essay. His visual narratives, usually published in Life magazine, were often brutally atmospheric. He evoked the horrors of the second world war in the Pacific, where he was injured by mortar fire, and chronicled the working life of Dr Ernest Ceriani in the small town of Kremmling, Colorado, in his 1948 series, Country Doctor, now recognised as the first extended editorial photo story.

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Eugene Smith - Spanish Wake — ALTERED IMAGES
W Eugene Smith documents the work of nurse midwife Maude Callen in Pineville, South Carolina. The photo essay Nurse Midwife appeared in Life magazine in
W Eugene Smith 'Country Doctor' Life magazine …
W Eugene Smith is probably one of the most brilliant photojournalists of the mid-20th century. He was a master of the photo essay as his contributions to LIFE magazine, Harpers Bazaar, and the New York Times touched a generation. He was one of the most prolific photographers ever leaving a legacy of hundreds of thousands of photos. This is the story of W Eugene Smith.
W Eugene Smith, the photographer who wanted to …
28 Jul 2013 Legendary photographer W. Eugene Smith's extraordinary black and white photo essay for LIFE magazine of South Carolina midwife-nurse
Life of W. Eugene Smith Essay - 1178 Words | Bartleby
28 Jul 2013 Nurse Midwife Photo Essay Legendary photographer W. Eugene Smith's extraordinary black and white photo essay Nurse Midwife Photo Essay for LIFE magazine of South Carolina midwife-nurse
W eugene smith photo essay | Donaldson's Greenhouse
Like many photographers, Smith was obsessive in the pursuit of his vision, but fuelled by alcohol and a long-term addiction to amphetamines, his compulsive behaviour had over the years become extreme. Among his archives were several boxes containing photocopies of all the letters he had ever written.
W Eugene Smith and the Photographic Essay - …
Thank you for that piece.
Very early in my photographic quest I discovered Eugene in books like 35mm Photo, Modern photography, Popular Photography, Petersen Photographic and CameraArt, they were my teaching tools and they taught me verywell.
Eugene had a very strong influence on my work and still do.
His approach to the shot, the attitdue of seeing a picture idea in every situation and documenting it.
Thank you so much.
Regards,
MIBO.
Eugene Smith and the Photographic Essay ..
More startling still are the 1,740 reels of audio tape, which were made by Smith between 1957 and 1965 in his previous loft apartment in 6th Avenue near West 28th Street. They contain around 4,500 hours of mostly ambient recordings often caught clandestinely on microphones he draped on dangling leads throughout the loft and in its stairways. These tapes reveal Smith’s seeming desire to document everything going on around him – and not just through photographs. They include hundred of hours of recordings of the many jazz musicians who gravitated there after hours; the likes of Thelonious Monk, Roland Kirk, Sonny Clark and Chick Corea, but also the conversations of stellar visitors including Norman Mailer, Salvador Dali and Anaïs Nin, as well as visiting photographers such as Henri Cartier-Bresson, Diane Arbus and Robert Frank.
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