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New York:Oxford University Press, 1972
To provide a secure long-term future for the Bibliography, the Royal Historical Society and Institute of Historical Research entered into a partnership with Brepols Publishers at the end of 2009 to continue the Bibliography as a subscription service under a new title: Bibliography of British and Irish History (BBIH).
The most important tools in the tool kits of the residents of the historical maritime cultures of Maine (1607 - 1865) are woodworking tools, especially those associated with shipbuilding, boat building, and construction of mills, buildings, and wharfs. Central among these primordial tools are the adz, broad ax, framing chisel, pit saw, drawknife, hewing ax, hand plane, and pod auger. As our exhibition An Archaeology of Tools has been collected and organized from the surviving remnants of the workshops and tool chests of 18th and 19th century New England, a series of questions naturally arise as to the origins and prototypes of the iron and steel tools used by the early settlers in New England.
Austria and Prussia also fought, with Prussia gaining new
The 1950s saw the publication of key studies partly or entirely devoted to Diderot's thought by Leo Spitzer, Georges Poulet, Georges May, and Herbert Dieckmann. In 1963 Jean Fabre edited a special number of Europe, bringing together contributions by a generation of major scholars. Roger Lewinter's Diderot, ou, Les mots de l'absence was among the first to offer a radical reassessment informed by philosophy and critical theory. Two important accounts of Diderot's political thought, by Yves Benot and Anthony Strugnell respectively, appeared in the early 1970s. Other important analyses of the philosophe's thought were published in the 1980s, including titles by Élisabeth de Fontenay, Geoffrey Bremner, and Jay [End Page 387] Caplan. For the bicentenary of Diderot's death (1984) Jack Undank and Herbert Josephs brought out a collection that emphasized Diderot's protean tendencies; many contributors had clearly taken to heart the philosophe's comparison of himself (in a letter to Sophie Volland of 10 August 1759) to a weathervane, turning with every wind. But the following year, a collective volume on the late Diderot exposed 'une vision de cohérence, d'énergie, d'ouverture et de continuit...
More generally, this work not only enriches gradual typesystems with unions and intersections and with the type precision thatarise from their use, but also proposes and advocates a new style ofgradual types programming where union and intersection types are usedby programmers to instruct the system to perform fewer dynamic checks.
While there were no Newton-like breakthroughs,
After 1870, fewer but larger sailing vessels continued to be built in Maine, especially at Bath and at surviving larger shipyards at Thomaston, Waldoboro, Damariscotta, and elsewhere, but in the era of railroads and steamships, the small community-sponsored coasters and West Indies traders were fast disappearing. After the Civil War, the full rigged downeasters, and later, the huge bulk cargo schooners, the last wooden ships built in Maine, were transporting coal, ice, cotton, lime, and granite to the growing cities and mills along the Atlantic seaboard and elsewhere. This final florescence of wooden shipbuilding in Maine played an ironic role in ending the era of wooden ships and the decline of the mill towns located upstream from a now shrinking shipbuilding industry. The decline in wooden shipbuilding in many coastal Maine locations closely correlates with declining population levels and manufacturing activity in the mill towns of the central coastal Maine hill country, in contrast to growing industrial activity in southern New England cities and Maine mill towns such as Biddeford, Auburn, and Lewiston.
The very greatest translations may become classics in their own right, of enduring literary excellence (the King James Version of the Bible, appearing in 1611, is the outstanding example), but on the whole the approximate equivalence of most translations to their originals seems to have a very short life. The original work remains the same, of lasting value to its own people, but the translation becomes out of date with each succeeding generation as the language and criteria of literary taste change. Nothing demonstrates the complexity of literary language more vividly. An analogous process takes place when a reader experiences a literary work in his own language; each generation gets a new version from its own classics.
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Love among family members gained new
* * *Elizabeth Einberg, William Hogarth: A Complete Catalogue of the Paintings, New Haven and London: Published for the Paul Mellon Centre for Studies in British Art by Yale University Press, 2016.
Stockbreeding improved, and new
VALUABLE RESOURCES NOT TO BE IGNOREDSTANDARD LIVESFor all aspects of Hogarth's life and art, the Hogarth researcher should first consult the modern standard biography:Ronald Paulson, Hogarth: His Life, Art, and Times, 2 vols., New Haven and London: Yale University Press, 1971.
These new movements merged with the
Solkin, Art in Britain, 1660-1815, New Haven and London: Yale University Press; Paul Mellon Centre for Studies in British Art, 2015 [Pelican History of Art].Social history of British art of the so-called long eighteenth century, looking at the major developments in painting, drawing, and printmaking during this period.
However, includes some new research.
Revised edition in three volumes: Ronald Paulson, Hogarth, Volume 1: The "Modern Moral Subject" 1697-1732; Hogarth, Volume 2: High Art and Low, 1732-1750; Hogarth, Volume 3: Art and Poltics, 1750-1764, New Brunswick: Rutgers University Press; Cambridge: Lutterworth Press, 1991-1993.
Reprint: New York: Octagon Books, 1969.
Detecting "imperial empiricism" among English artists and critics, the author presents new readings of the art theories of such central figures as Hogarth and Reynolds.
(New York and London: Benjamin Blom, 1928).
There are also French and German translations of this catalogue.* * *Sean Shesgreen (ed.), Engravings by Hogarth: 101 Prints, New York: Dover Publications, Inc., 1973.
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