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Gabrielle Belisle examines an Anna Atkins cyanotype:

Lisa Solon’s work. The cyanotype process sheuses was one of the first photographic processes invented, and was usedto produce what is generally considered to be the first photographicbook, a collection of ‘sun-prints’ of seaweed, by the Englishwoman AnnaAtkins. Atkins, in fact, went on to record many plants fromJamaica that she obtained from botanic gardens and greenhouses growingthese ‘exotics’ in England in the early 19th century.

Casey Shea studies a pair of cyanotype body slices:

Students are also tasked with researching an individual object that will appear in the show. Their research will culminate in an essay which will appear in our exhibition catalogue, Cyanotypes: Photography’s Blue Period. Their research will also appear in the gallery labels, which will accompany several works in the show. Here are a few snapshots of art historical inquiry in action:

Gabrielle Belisle examines an Anna Atkins cyanotype:

WAM’s Access Magazine features Cyanotypes. To see the story, click.

During the 2015-2016 academic year, Wilson’s research was focused on a project on cyanotype photography. With Nancy Burns, Assistant Curator of Prints, Drawings, and Photographs at the Worcester Art Museum, she co-curated an exhibit titled “.” The exhibition was on view from January 19 to April 24, 2016. During the Fall 2015 semester, Wilson taught a research seminar for upper-level undergraduates at Clark that complemented the exhibition. In May 2017, Burns and Wilson were honored to receive an from the for the project.

Students in ARTH 249: Special Topics in Modern Art: Cyanotypes are involved with several aspects of the exhibition. They have met with a variety of folks at the WAM to learn about the many steps behind putting together an exhibition, including conservation, matting and framing, exhibition design, and graphic design. Here are some photos in action!

WAM’s Access Magazine features Cyanotypes. To see the story, click.

Cyanotypes of British Algae by Anna Atkins (1843 ..

Students are also tasked with researching an individual object that will appear in the show. Their research will culminate in an essay which will appear in our exhibition catalogue, Cyanotypes: Photography’s Blue Period. Their research will also appear in the gallery labels, which will accompany several works in the show. Here are a few snapshots of art historical inquiry in action:

Students in ARTH 249: Special Topics in Modern Art: Cyanotypes are involved with several aspects of the exhibition. They have met with a variety of folks at the WAM to learn about the many steps behind putting together an exhibition, including conservation, matting and framing, exhibition design, and graphic design. Here are some photos in action!

Anna Atkins: First Photography Book of British Algae …
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Anna Atkins, Color Photography - Ellen Carey …

During the 2015-2016 academic year, Wilson’s research was focused on a project on cyanotype photography. With Nancy Burns, Assistant Curator of Prints, Drawings, and Photographs at the Worcester Art Museum, she co-curated an exhibit titled “.” The exhibition was on view from January 19 to April 24, 2016. During the Fall 2015 semester, Wilson taught a research seminar for upper-level undergraduates at Clark that complemented the exhibition. In May 2017, Burns and Wilson were honored to receive an from the for the project.

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